Peterloo

Shelley in a Revolutionary World

Shelley in a Revolutionary World

There’s something in the Romanticism of Percy Shelley that seems always on the verge of breaking down the gate-posts of history and gusting into our world. The archival shackles in which the academic humanities prefer to keep their spectral versifiers and yawping hobgoblins enclosed seem especially frangible and ill-suited to the reluctant baronet’s “sword of lightning, ever unsheathed, which consumes the scabbard that would contain it.” Shelley is present in our efforts to meet and counteract the predicaments of our moment (from the mendacious mis-rule of government elites to the devastation of natural habitats for profit) in a way that Wordsworth, scrummily in awe of Nature and his own perception of it, is not – or at least, not so fluently.

The Peterloo Massacre and Percy Shelley by Paul Bond

The Peterloo Massacre and Percy Shelley by Paul Bond

Paul Bond’s essay is nothing less than a tour de force encapsulating and documenting Shelley’s reception by the radicals of his own era down to those of today. His article is wonderfully approachable, sparkles with erudition and introduces the reader to almost the entire radical dramatis personae of the 19th Century. I think it is vitally important for students of PBS to understand his radical legacy. And who better to hear this from than someone with impeccable socialist credentials: Paul Bond.

Keats’s Ode To Autumn Warns About Mass Surveillance

 Keats’s Ode To Autumn Warns About Mass Surveillance

John Keats’s ode To Autumn is one of the best-loved poems in the English language. Composed during a walk to St Giles’s Hill, Winchester, on September 19 1819, it depicts an apparently idyllic scene of harvest home, where drowsy, contented reapers “spare the next swath” beneath the “maturing sun”. The atmosphere of calm finality and mellow ease has comforted generations of readers, and To Autumn is often anthologised as a poem of acceptance of death. But, until now, we may have been missing one of its most pressing themes: surveillance.

Revolutionary Politics and the Poet. By Mark Summers

Revolutionary Politics and the Poet. By Mark Summers

What I love about Mark Summers' writing is his ability to put Shelley in the context of his time, and then make what happened then feel relevant now.  Both Mark and I sense the importance of recovering the past to making sense out of what is happening today. With madcap governments in England and the United States leading their respective countries toward the brink of authoritarianism, Shelley's revolutionary prescriptions are enjoying something of a renaissance; and so they should, we need Percy Bysshe Shelley right now!

The Political Fury of Percy Bysshe Shelley - by Mark Summers

The Political Fury of Percy Bysshe Shelley - by Mark Summers

The real Shelley was a political animal for whom politics were the dominating concern of his intellectual life. His political insights and prescriptions have resonance for our world as tyrants start to take center stage and theocracies dominate entire civilizations.  Dismayingly, the problems we face are starkly and similar to those of his time, 200 years ago. For example: the concentration of wealth and power and the blurring of the lines between church and state. Some of you will have read my review of Michael Demson's history of Shelley's Mask of Anarchy.  Guest contributor Mark Summers comment on the Mask says it all: "Disgustingly the only thing we need to update from Mask is the cast of villains, the substance is unchanged!." For Castlereagh read Rex Tillerson; for Eldon read Michael Flynn, for Sidmouth read Stephen Bannon and for Anarchy itself, we have, of course Trump:

Teaching Percy Bysshe Shelley, by Anna Mercer

Teaching Percy Bysshe Shelley, by Anna Mercer

As an undergraduate at the University of Liverpool, I was given A Defence of Poetry to read for a seminar that – and this sounds hyperbolic, but is in reality no exaggeration – I now realise in retrospect changed my life.