Shelleyan Top Ten Moments - 2017

Welcome to my inaugural, year end "Shelleyan Top Ten" list. The eligibility criteria for an appearance on this list is pretty straight forward (and subjective!) First the event or occurrence must have contributed to raising the awareness of Percy Bysshe Shelley among the general public. Second, it also needs to have come to my attention - which is not omniscient (this means my list is not necessarily definitive!). Finally, I also have ranked on the basis of whether the moment was unusual or unexpectedly brilliant.

In any event, these sorts of lists are supposed to be fun and are designed to provoke debate and conversation.  So let the discussion begin.

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The 10 Best Shelley Moments of 2017

10.        Entering the list at number ten is the Penn-Shelley Seminar series that is overseen by Eric Alan Weinstein. The seminar brings scholarship from around the world together to examine the life and work of Percy Bysshe Shelley. Over the past three years, more than a dozen Penn faculty members spanning five separate departments have contributed as have almost forty visiting scholars -including me!  You can watch my most recent presentation by clicking the link to "The Radical Shelley in His Time and Ours". Together Eric and his team have produced nearly 100 hours of unique digital scholarly content, all of which is being made freely available. An associated MOOC became of of the world's favourites in 2016. Say what you will about MOOCs, hundreds of people participated in Eric's course as did I. It is fair to say that my entire Shelley project was inspired by that course. Like Shelley, Eric wants to change the world; Shelley can help us to do this. I look forward to the relaunch of the Shelley MOOC in 2018!!! You can learn more about Eric's initiatives here.

9.         At number 9, we have Paul R Stephens (follow him on Twitter here) who launched a series of “On This Day" Tweets that focus on memorable excerpts from the letters of Percy Bysshe Shelley. Featuring over 300 selections so far, the series also matched the prose with very carefully chosen works of art. Paul is a Shelley scholar working on his PhD at Oxford. With Paul’s permission, I began republishing his selections on The Real Percy Bysshe Shelley Facebook page in November with the addition of a couple of paragraphs of my own commentary.  These posts have proved to be a huge hit, drawing hundreds of reactions and scores of comments and shares. What makes Paul’s selections so clever is the manner in which they draw attention to different aspects of Shelley’s multifaceted character.  So, well done Paul, don’t stop now!!!!

8.         In the summer of 2017, the Keats-Shelley Association of America (full disclosure: I am a Board Member) announced an ambitious online communications strategy which involves revamping its website and launching Twitter and Facebook feeds. The organization has hired Shelley scholar Anna Mercer as the official coordinator. She currently oversees four communication fellows. I have been advocating for this since I joined the Board as I believe social media (despite all of its drawbacks) is an essential tool to build communities. I look forward to great things from this initiative in 2018.

 7.        In March of 2017, English fashion designer John Alexander Skelton deployed Shelley's Mask of Anarchy in his spring runway show. This is an example of members of the general public engaging with Shelley and the radical past and unusual ways. You can read my article, "Shelley Storms the Fashion World" by clicking the button below. Skelton has to be one of the first clothing designers in history whose clothing line was inspired by a bloody massacre.  This might strike many as unusual, but I think it is actually quite an important example of art interfacing with politics and political protest – in a manner Shelley would have whole-heartedly approved.

6.         Frankenreads is another initiative of the Keats-Shelley Association of America. It enters my list at number 6.  An ambitious project it is designed to get people around the world thinking about and reading Frankenstein, the concept is built around a massive, world-wide reading project slated for Halloween of 2018.  While this project is virtually entirely focused on Mary, it can nonetheless function as a gateway through which we can interest Mary Shelley enthusiasts in Percy - after all, he was an active and not insubstantial collaborator on the novel. You can learn more about this brilliant KSAA project here.

5.         Flying in under the radar at number five is Tess Martin's brilliant animation short based on Shelley’s fragmentary poem, The Dirge. You can read the poem here. There is speculation that the poem was based on a true story about Ginevra degli Almieri, who was thought dead of a plague that swept the city of Florence in the year 1400, and was put in a vault to be buried the next day. But she then awakens and is mistaken for a ghost by both her husband and her parents. Martins gorgeous, ghostly interpretation of the poem is exquisite. It is one of the years great Shelley events. Thanks to Tess Martin and Max Rothman the good folks at Monticello Park Productions. I have an upcoming article on this magnificent project.

4.         Shelley took an unexpected star turn in the summer blockbuster, Alien Covenant. This is deserving of fourth place on the list!!  After the movie was released, I was very excited to hear that Shelley's poem Ozymandias features prominently.  The poem's theme is woven carefully into the plot of the movie, with David (played again by Michael Fassbender) quoting the famous line, "Look on my works ye mighty and despair." David, as followers of the movies will know, is a "synthetic humanoid" - one in a long line of such creatures, one of the most famous being Data in Star Trek: The Next Generation. That David quotes the poem without a trace of irony is central to the question of whether or not these creatures are fully human or not. For David, not to see that Shelley is employing one of his trademark ironic inversions, suggests that something is not quite right with him. That he mistakenly attributes the poem to Byron is another twist altogether. Enjoy Zac Farini's terrific review, "David or the Modern Frankenstein" by clicking the button below.

3.         During the summer of 2017, I published in three installments, for the first time, the text of a speech given by Shelley devotee and crusading journalist Paul Foot. It was an epic one-and-a-half-hour extemporaneous speech delivered to the London Marxism Conference of 1981.  I have estimated that the project took over two hundred hours – involving laborious transcription, research and editing. The entire speech was ultimately collected together and published on my website in the fall of 2015 by my research and editorial associate, Jonathan Kerr. You Paul epic speech "The Radical Percy Bysshe Shelley" by clicking the button below. Here is a link to the only audio we have, so you can listen along!! Here's to one of the greatest of all Shelleyans, Paul Foot. We will never forget you Paul, you left us too soon.

2.         Sitting in the number 2 position is the Shelley Conference 2017. The project was the brain child of Shelley scholars Anna Mercer and Harrie Neal, who were motivated by their frustration with the fact that, in Anna's words, there is no "regular event, academic or otherwise, dedicated solely to the study of Percy Bysshe Shelley’s works. Neither is there such an event for Mary Wollstonecraft Shelley.” Given the outsize influence these two writers have had on our modern world, this fact is astonishing.  The Conference was a wonder and featured keynotes by three of the world’s leading Shelleyans: Nora Crook, Kelvin Everest and Michael O’Neill.  You can watch these here, here and here.  Slowly, I am also releasing panel presentations – but the process is somewhat time consuming.  My hope is that this conference will be followed by many more. Anna? Harrie? Percy and Mary owe you big time -- so do we all. Read Anna's article "Why the Shelley Conference" by clicking the button below

The Best Moment of 2017

1.         Pride of place this year goes to Jeremy Corbyn who adopted Shelley's poetry from The Mask of Anarchy as the foundation of his election campaign. The election slogan itself, “For the Many. Not the Few”, had a catalytic effect on the electorate and we can only guess at how many voters it mobilized. Corbyn then went on to quote Mask of Anarchy on several occasions.  The most memorable were at his campaign-concluding rally, and then after the election at Glastonbury. Both occasions were electrifying. Corbyn’s harnessing of Shelley earns pride of place in my year end list because it awoke tens of thousands of people to Shelley’s existence. Opportunities like this tend to be generational – and we just experienced one. His use was also a perfect illustration of why Paul Foot thought Shelley was so important. Shelley doesn’t just supply ideas (though there are plenty of those), he furnishes us with inspirational rhetoric and enthusiasm. Paul wrote, “Of all the things about Shelley that really inspired people in the years since his death, the thing that matters above all is his enthusiasm for the idea that the world can be changed”. Well, thanks to Jeremy Corbyn, we just witnessed such change first hand. Read my article "Jeremy Corbyn is Right: Poetry Can Change the World" by clicking the button below.  Watch the speech below (Shelley is quoted at 2:40). Thank you Mr, Corbyn, your job now is to bring some of Shelley's egalitarian dreams alive. Don't stop with the slogan; Shelley can be your best friend. Don't let us all down.

If you have some moment I have missed, write to me here: graham@grahamhenderson.ca.  2017 was also a terrific year for my website and the associated Facebook and Twitter accounts.  You can read about my progress in building a modern Shelley community here: "The Year in Review - 2017" .  I have big plans for 2018. Happy New Year to everyone. Here's to a magnificent, Shelley-packed 201811

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The Worst Moment of 2017

Now, most folks also offer a reflection on the worst moments of the previous year.  I am no different. For me, hands down, the worst moment of 2017 for Shelley was the release of Haifaa al Mansour’s atrocious re-invention of the lives of Mary and Percy.  It is a hot mess. What facts she doesn't distort to suit her fictional story line, she simply invents.  A fact checker could spend weeks correcting her mistakes. Here it is in a nutshell: the film makers want you to believe that Mary Shelley wrote Frankenstein in a single night based entirely on personal experiences of abandonment and bereavement. No collaboration. No apparent research. Yeah, it is THAT bad. In trying to put Mary on a pedestal it actually completely trashes her reputation for meticulous research, collaboration and hard, hard work. Oh, and after having been abandoned by Shelley in her hour of need (portrayed as a heavy drinker who directly causes the death of her first child) - a man who has stolen credit for her novel - she takes him back at the end of the movie with no questions asked. Because, ya know, that's how it happens in teenland, right?  It also trashes the reputation of almost everyone around her. Despite my hopes it would not find general release, it has. So Shelleyans can look forward to an invented story of Frankenstein’s creation which is jam packed with misrepresentations, false claims, fabrications and innuendo. You can read more about in my article, "The Truth Matters".  This publicity photo pretty much sums up the movie. This is what you will get - a ridiculous, fatuous teen drama. Avoid it if you can. Shame on those who made this film.

The Shelley Conference - London, 15-16 September 2017

On Friday and Saturday the 15th and 16th of September, in London, the Centre for Eighteenth Century Studies at University of York, is presenting a two day conference that celebrates the writings of Percy Bysshe Shelley and Mary Wollstonecraft Shelley. The event is organized by two brilliant young young Romantics scholars: Anna Mercer and Harrie Neal.

I will be speaking at this conference.

Keynote speakers include some of the very top people in this field: Professor Nora Crook, Michael Neill and Kelvin Everest.  But there are also a host of panel discussions that look excellent.  I strongly recommend this conference to anyone who can make it.  The price is right and many of the topics are mouthwatering.

Some of the names that will be familiar to my readers include: Mark Summers who will talk about "Reclaiming Shelley's Radical Republicanism";  Anna Mercer on the extent to which Percy and Mary collaborated; Jacqueline Mulhallen on "1817 - a Philosophical Year for Shelley"; and Lynn Shepherd on "Fictionalizing the Shelleys". 

As for me, my topic will be the subject of "Romantic Resistance."  Shelley's writing affords modern political activists a veritable treasure trove of ideas and, as one of my readers put it, "Words of Power".  As we contemplate a world in which wealth is concentrated in ever fewer hands, a world in which superstition and religion are increasing their pernicious influence, a world in which tyrants are proliferating, we must see that our world is very much Shelley's. We have need of his guidance.  He was one of the greatest political thinkers of any age.

The event takes place at the Institute for English Studies, Senate House, Malet Street, London Greater London WC1E 7HU (near to the British Museum).

Paul Foot understood this.  He persistently and passionately promoted Shelley's ideas to a generation of leftists whom he believed had lost their intellectual vigor as well as their connection to the problems of everyday people. 

Paul Foot

He offered this reason for restoring Shelley to prominence: modern activists need, he said in his famous speech to the 1981 London Marxism Conference,

"...a language which has some bite and zest and enthusiasm. That’s what we have to do and that’s why I think reading great revolutionary poets like Shelley is fundamentally important. It is filled with all kinds of images, all kinds of similes and metaphors - ways of saying things, different ways of saying things. The great masters of language really understood language and could use it like great musicians use the piano. These are things we need to soak up. Particularly when those great masters of language are in line with our politics."

But I think there is more, much more, than just language.  Timothy Webb once said of Shelley that “politics was probably the dominating concern of his life.” My presentation will demonstrate how Shelley’s politics, his philosophical skepticism and his theory of the imagination combine to offer some potent solutions for the troubles of the early 21st Century.  Given recent events, it is time that we cast a fresh eye on romantic, specifically Shelleyan, theories of resistance.

When Shelley declared in Chamonix that he was a “lover of humanity, a democrat and an atheist” he did so knowing his words would be widely read.  The “Chamonix Declaration”, as I refer to it, was a more revolutionary statement than has commonly been assumed.  I will offer a new interpretation of what Shelley meant by these words and the radical programme he proposed to upend the political and religious status quo.

Mont Blanc

To do this I will reopen the question of Shelley’s philosophical skepticism and the role it played in his theory of revolution.  For Shelley skepticismwas a critically important tool to undermine authority and attack truth claims. In an age of “alternative facts” and “fake news” the value of skepticism as a discipline and approach to tyranny is all too evident. Mere skepticism was not and still is not, enough, however, to effect permanent political change.

I will argue that Shelley therefore evolved a theory of the imagination, at a time almost exactly contemporaneous to the Chamonix Declaration, to provide a mechanism for permanent revolutionary change; the type of change that would avoid the backsliding into chaos and tyranny he witnessed in the aftermath of the French Revolution.

Shelley has answers that remain as relevant today as they were in his time; just how we communicate those answers to the general public will also be discussed. Shelley famously wrote, "Mont Blanc yet gleams on high: the power is there," he did not mean for us to think the power lay outside us.  It is actually within us all.  We have the power to change the world.  But we have to act.  Paul Foot understood this well when he said:

Of all the things about Shelley that really inspired people since his death, the thing that matters above all is his enthusiasm for the idea that the world can be changed. It shapes all his poetry. And when you come to read Ode to the West Wind where he writes about the “pestilence stricken multitudes” and the leaves being blown by the wind; then you understand that he sees the leaves as multitudes of people stricken by a pestilence. You begin to see his ideas, his enthusiasm and his love of life. He believed in life and he really felt that life is what mattered.  That life could and should be better than it is. Could be better and should be better. Could and should be changed. That was the thing he believed in most of all.

Please join me and others in London on September 14-15 for a wonderful excursion into the brilliant minds of Percy and Mary Shelley.

Shelley Square in Viareggio, Italy.

Pecksie and the Elf. What's in a Pet Name?

This is me with the Elf on my left and Pecksie on my right at the Bodmer Foundation in Geneva

Percy Bysshe Shelley and Mary Wollstonecraft Shelley, like almost everyone else on the planet, had pet names for one another. She was "Pecksie" and he was "Elf".  PB's use of the name "pecksie" has actually attracted controversy. To find out why, I dug into the circumstances in which these names were used and the fascinating origin of "pecksie". Buckle up!

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Many years ago, while reading Anne Mellor's biography of Mary Shelley, I encountered her opinion of Percy’s use of a pet name for Mary. The name was “pecksie”.  In Mellor’s opinion, this demonstrated “that he did not regard his wife altogether seriously as an author”.  Cue my head exploding.

The pet name had appeared twice in the margins of a manuscript copy of Frankenstein that PB and MW had been jointly working on.  Nora Crook, one of the foremost Shelley scholars alive today, supplies the details here:

“On the manuscript of Frankenstein are two comments by P. B. Shelley which have become infamous. Writing quickly, Mary Shelley had left off the first syllable of 'enigmatic' and ended up with 'igmmatic' (she was prone to double the letter 'm' while her husband had an ie/ei problem with words like 'viel' and 'thier'). Later she confused Roger Bacon with Francis Bacon. He scribbled 'o you pretty Pecksie' beside the first and 'no sweet Pecksie—twas friar Bacon the discoverer of gunpowder.'”

Most scholars, but not all, looked upon these pet names and comments as benign, even endearing. But remarks such as Mellor's were enough to fuel a controversy that persists to this day.

At this point I think we need to pause and give our heads a collective shake.  Are we really having this conversation?  Hopefully not.  Nora Crook had, I think, a similar reaction and produced a brilliant, accessible, and sensitive essay on PB and MW's relationship, using the pet names as a jumping off point. She begins:

“Whether, however, a young woman who at nineteen could read Tacitus in the original would have felt intimidated by this may be doubted, especially one who called her spouse her 'Sweet Elf'.  Between Pecksie and Elf, in terms of diminution, there is, prima facie, little to choose, any more than there is between the protagonists in the Valentine's Day newspaper advertisements where Snuggle Bum pledges love to Fluffkins. Intimate pet-names are almost invariably embarrassing to read. We do not know enough about the contexts in which these arose, whether they pleased or annoyed at the time, whether 'Pecksie' and 'Elf' were pleasant banterings or counters in underground hostilities. It would seem wise to suspend judgement and use them as evidence neither of an unproblematically equal relationship nor of one in which Mary Shelley was subordinated.”

I might also add here that the “young woman” in question was the daughter of no less a personage that Mary Wollstonecraft (the author of Vindication of the Rights of Women) and William Godwin (the author of Political Justice).  Intellectually, she was a match for PB. 

Even more interesting is the fact that, as Anna Mercer demonstrates, in the Shelley household, the term “pecksie” was applied by each partner to the other!  For example, in a letter from 1815, Mary asked Percy to return one of her possessions, if he fails to do so, Mary tells him fondly, "I shall think it un-Pecksie of you".

This suggests that “pecksie” might have been more than just a pet name and rather a term that represented a constellated set of attributes. We might therefore be interested in what exactly it means to be “pecksie”; what behaviours or patterns of conduct fall into the category of “pecksian”? I think I am now in the position to shed some light on this!

So, let’s look at the origin of the term "pecksie". We begin again with Nora Crook suggests that it is "the name of the industrious bird in Mrs. Sherwood's The History of the Robins".  Mary Martha Sherwood was an incredibly influential, best selling writer of children's literature in 18th and 19th century England.  She was also an inveterate christian evangelist and proselytizer – which makes her books unlikely source material for the atheistical PB Shelley.  But is Sherwood the source of the nickname? No.

In this, Crooks is unfortunately mistaken.  The author of The History of Robins is not Sherwood, it was in fact Sarah Trimmer as Judith Barbour has pointed out.

And the correct spelling of the little robin’s name is in fact “Pecksy” and not "pecksie".  Trimmer was in her own right an extremely famous children's author. Originally titled Fabulous Histories, Trimmers' book was continuously in print and a favourite of parents and children alike until after the First World War. After 1820, the book came to be known as The History of Robins or more simply, The Robins.

Born in 1741, Sarah Trimmer’s first book did not appear until 1780.  Fabulous Histories, the book which established her reputation, was published in 1786. Today she is perhaps most famous for her periodical that systematically categorized and reviewed children’s literature: The Guardian of Education.  The Hockcliffe Project is a remarkable cache of early children's literature which has recently been digitized.  According to the uncredited author of the introductory essay on Sarah Trimmer:

“Trimmer's purpose in her Fabulous Histories was to teach children to behave with Christian benevolence towards all animals. Most of the book is spent inveighing against children and adults who torment animals, and also those who fall into the 'contrary fault of immoderate tenderness to them'. Both were common themes in late eighteenth and early nineteenth century children's (and adult's) literature. So too was the more overarching purpose of teaching the reader his or her place in the grand hierarchy of the universe. The reader learns that humans are at the head of creation, with power over all other living beings. Though this gives them the right to kill other animals and plants for food and to protect themselves, they may not without reason kill or hurt any creature without transgressing against the 'divine principle of UNIVERSAL BENEVOLENCE'.”

Trimmer aimed to teach these lessons by presenting the reader with two families, one of humans and one of robins. Both families, individually and through their interaction, are a microcosm of society. The reader is meant vicariously to learn the proprieties of family life and of behaviour to other parts of God's creation through the education by their respective parents of the two human children, Harriet and Frederick, and the four robin nestlings, Robin, Dicky, Flapsy and Pecksy. The human family, the Bensons, is fairly typical of the usual inhabitants of moral tales. They are affluent and landed. There is a largely absent father, and a loving if somewhat stern and pontificating mother. And there is one obedient and thoughtful child, Harriet, and another, younger sibling, more imprudent and thoughtless, but good at heart and responsive to a painstaking education. Though the family of robins was constructed on similar lines, with doting but stern parents and a brood which ranged from the docile and considerate Pecksy to the rash and conceited Robin, is was surely their presence which secured the book's lasting popularity.

Which brings us to the question of what it might mean in the Shelley household to be “pecksian”.  I do not want to over play this hand, but if it is true that both PB and MW aspired to behave in a manner consistent with a set of "pecksian traits" and reproved one another when they failed to, it is worth while trying to understand what those traits were.  It could tell us a surprising amount about the two of them.

Nora Crook would have us believe such behavior would be characterized as “industriousness”.  However, having read a fair portion of Fabulous Histories, I think Pecksy’s personality is typified by a very different set of personality traits: she is obedient, amiable, self-effacing, considerate of others, self-sacrificing and a peacemaker.

The four nestlings from Fabulous Histories: Dicky, Pecksy, Flapsy, and Robin.

While the other three baby robins are continually in trouble, Pecksy distinguishes herself by her serene and sweet behavior. She is almost something of a “goody two shoes” who “wished to comply with every desire of her dear parents”.  Perhaps not surprisingly, this makes Pecksy somewhat unpopular with her siblings, who grow quite jealous of her and are often reproved for this by their mother. For example:

“A few days after a fresh disturbance took place, all the little robins except Pecksy, in turn committed some fault or other for which they were occasionally punished; but she was of so amiable a disposition that it was her constant study to act with propriety, and avoid giving offence; on which account she was justly treated by her parents with distinguished kindness. This excited the envy of the others, and they joined together to treat her ill, giving her the title of the “pet”, saying that they made no doubt their father and mother would reserve the nicest morsels for their darling.”

Somewhat later we find this exchange between Pecksy and her mother after an incident which led to her being tormented by her siblings:

“‘I have been unhappy my dear mother’, said she, ‘but not so much as you suppose; and I am ready to believe that my dear brothers and sister were not in earnest in the severe things they said of me -- perhaps they only meant to try my affection. I now entreat them to believe, that I would willingly resign the greatest pleasure in life, could I by that means increase their happiness; and so far from wishing for the nicest morsel, I would content myself with the humblest fare rather than any of them should be disappointed.’ This tender speech had its desired effect it recalled those sentiments of love which envy and jealousy had for a time banished; all the nestlings acknowledged their faults, their mother forgave them and a perfect reconciliation took place to the great joy of Pecksy, and indeed of all parties”.

Later, Pecksy brings her mother a spider to eat. Her mother approvingly remarks, “How happy would families be if everyone like you, my dear, Pecksy consulted the welfare of the rest instead of turning their whole attention to their own interest”.

The day eventually arrives when the nestlings must learn how to fly.  Several misadventures occur, notably to the headstrong Robin, but not to the observant Pecksy:

"Pecksy was fully prepared for her flight, for she had attentively observed the instruction given to the others and also their errors; she therefore kept the happy medium betwixt self-conceit and timidity indulging that moderated emulation which ought to possess every young heart; and resolving that neither her inferiors nor equals should soar above her she sprang from the ground and with a steadiness and agility wonderful for her first essay, followed her mother to the nest who instead of stopping to rest herself there flew to a neighbouring tree, that she might be at hand to assist Robin should he repent of his folly;…”

Readers familiar with the values both PB and MW came to cherish and extol in their poetry and prose will not be surprised, I think, to see in the character of the little robin called Pecsky an intimation of what was to come.  That they themselves strove to behave in a “pecksian” manner and reproved one another when they failed (“I shall think it un-Pecksie of you.”) also tells us something about the value system operating in their home.

And can we go so far as to say PB's closing lines to Prometheus Unbound are pecksian?

To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
   To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
   Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory.

Prometheus Unbound, Act IV, ll 570-578

Too far??  Okay....maybe a wee bit! But you smiled...I know you did.

And there is another value system at operation here: the humane treatment of animals.  Trimmer's book was subtitled "The Instruction of Children Respecting Their Treatment of Animals".  While Trimmer was no vegetarian (she approved of the killing of animals as long as it was done "not without reason") she nonetheless sought to inculcate in children a benevolence toward animals.  Fabulous Histories is an excoriating morality tale in which those who torment animals are harshly punished. For me it is easy to trace a developmental arc for a sensitive child such as PB: from values such as these encountered in childhood, to the full blown vegetarianism of his adulthood.

To me, investigations like this are an eternal delight.  We start with an uncharitable aspersion cast at our poet by a critic – all because he used a pet name for his lover. We are led to a delightful essay by a leading Shelley scholar and from thence first to the wrong book, but then to the right one.  Along the way, we discover two largely forgotten giants of early children’s literature - Mary Sherwood and Sarah Trimmer. We finally arrive at a little robin – a nestling who embodied a set of character traits that came to be valued and extolled by two of the great writers of the 19th Century.  Not a bad excursion. Tell me that wasn't fun!! All aboard for the next one?